Grammar is critical, but there’s so much more to consider
Some will debate if writing is grammar or something more. I’m in the camp that thinks of grammar as necessary (and often forgotten) but it’s certainly not all there is to writing.
As Ann Handley has said, “Writing is not grammar, writing is
thinking.” Carmen Hill agreed, and recently added: “Yes, and grammar helps
precisely express your thinking.” With that I couldn’t agree more.
Of course, most of us don’t have the luxury of writing just
for the sake of writing. Many of us — even Ann Handley — have jobs. And people
who have jobs write to support a brand, whether it’s a company brand or a
personal brand.
So, while good writing is good thinking and grammar helps
express that thinking, there is, of course, even more.
I recently developed a three-tiered approach to writing that
my serve as a good way to help ensure you’ve got all the bases covered. Because
each area affects the others, I see it as a series of concentric circles where
the writer starts at the center and works his or her way outward toward the
audience. I hope this idea will help you in your writing. So, here we go!
Start with core
skills, work your way out
I believe the core skills needed for good writing are at the
center of what a writer does. This includes pure writing measures for things
like grammar, syntax, spelling, sentence structure…you know, the basics. If
you’re not confident in your knowledge of these topics, study them. Learn them.
Know them. They are your friend.
This also means including the right information (and nothing
more). This requires asking the right questions…lots of them. If you haven’t
done this basic level of work, your audience is likely to become distracted and
unable to receive your message.
Layer on the brand’s
voice
The next layer out from core skills is brand voice. This is
where the basics that all good writers are capable of get more specific and
differentiated. Is your brand a conversational brand (like Target) or are you
more formal (like the IRS)?
The difference is important, because the way these two
brands would say the same thing is necessarily different. That difference has
to make its way into your writing, and this should happen right after the basic
levels are assured.
And, of course, don’t
forget message alignment
Finally, as you continue to move out toward your audience,
the last filter you apply should be to insure your message is aligned with your
messaging strategy. If there’s a creative brief, are you aligned with it? Have
you done everything you can to assure that your specific audience will respond
to your message in the way you intend?
What we need here is
an example
Okay, here’s the message you have to deliver: your brand is
changing the way it will accept orders and you can now accept credit cards (I
know, it must the last brand on the planet. Sorry, I was a little short on
examples today. Forgive me.)
Core skills: along with good grammar and spelling, include the
basic information your audience will need:
·
Which credit cards will you now accept?
·
Is this additive or are you doing this for the
first time?
·
When does this begin?
·
Do I have
to use a credit card?
Brand voice: tell the story your way
If this message were coming from Target: “Hey, we can now
accept that credit card. Hurry up and get over here!”
If this were coming from the IRS: “Effective April 15, 2016,
we will be able to accept Visa, MasterCard and Discover Card.”
Message alignment: spend some time in your audience’s shoes
You can quickly see this message would be different for
millennials than it would be for Baby Boomers. But what about male millennials (One
swipe and you’re gone!) vs female millennials (Never worry about having to carry
real money again!)
Good luck!
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